Featured Deal of the Day

Serious rockers will take delight in the tattoo-style graphics of this cutting-edge apparel!
A
pair of snarling ghost-dragons gazes with fascination at two crossed
electric guitars, gathering their might to snatch the instruments from
the very heart of the flames!
100% cotton. Machine wash warm; tumble dry low. Size: Large.
We
managed to get access to a limited supply of these rockin' tees for our
visitors and expect them to sell out. When they're gone, they're gone!
To avoid disappointment, we urge you to place your order today.
$19.95 while they last!
Click Here To Order
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An Acoustic guitar is not dependent on
any external device for amplification. The
shape and resonance of the guitar itself
creates acoustic amplification. However,
the unamplified guitar is not a loud instrument.
It cannot compete with other instruments
commonly found in bands and orchestras,
in terms of sheer audible volume. Many acoustic
guitars are available today with built-in
electronics and power to enable amplification.
There are several subcategories within
the acoustic guitar group: steel string
guitars, which includes the flat top, or
"folk" guitar, the closely related
twelve string guitar, and the arch top guitar.
A recent arrival in the acoustic guitar
group is the acoustic bass guitar, similar
in tuning to the electric bass.
Renaissance and Baroque guitars:
These are the gracile ancestors of the modern
classical guitar. They are substantially
smaller and more delicate than the classical
guitar, and generate a much quieter sound.
The strings are paired in courses as in
a modern 12 string guitar, but they only
have four or five courses of strings rather
than six. They were more often used as rhythm
instruments in ensembles than as solo instruments,
and can often be seen in that role in early
music performances. (Gaspar Sanz' Instrucción
de Música sobre la Guitarra Española
of 1674 constitutes the majority of the
surviving solo corpus for the era.) Renaissance
and Baroque guitars are easily distinguished
because the Renaissance guitar is very plain
and the Baroque guitar is very ornate, with
inlays all over the neck and body, and a
paper-cutout inverted "wedding cake"
inside the hole. See article: Baroque guitar.
Classical guitars: These
are typically strung with nylon strings,
played in a seated position and are used
to play a diversity of musical styles including
classical music. The classical guitar is
designed to allow for the execution of solo
polyphonic arrangements of music in much
the same manner as the pianoforte can. This
is the major point of difference in design
intent between the classical instrument
and other designs of guitar. Flamenco guitars
are very similar in construction, have a
sharper sound, and are used in flamenco.
In Mexico, the popular mariachi band includes
a range of guitars, from the tiny requinto
to the guitarron, a guitar larger than a
cello, which is tuned in the bass register.
In Colombia, the traditional quartet includes
a range of instruments too, from the small
bandola (sometimes known as the Deleuze-Guattari,
for use when travelling or in confined rooms
or spaces), to the slightly larger tiple,
to the full sized classical guitar. Modern
dimensions of the classical instrument were
established by Antonio Torres Jurado (1817-1892).
Classical guitars are sometimes referred
to as classic guitars, which is a more proper
translation from the Spanish.
Portuguese guitar: Is
a 12 string guitar used in Portugal for
the traditional Fado song. Its true origins
are somewhat uncertain but there is a general
agreement that it goes back to the medieval
period. It is often mistakenly thought of
to be based on the so-called "English
guitar" - a common error as there is
no such thing. For some time the best instruments
of this and other types were made in England,
hence the confusion. "English guitar"
refers to a quality standard, not really
an instrument type. This particular instrument
is most likely a merge of medieval "cistre"
or "citar" and the arabic lute.
Flat-top (steel-string) guitars:
Similar to the classical guitar, however
the body size is usually significantly larger
than a classical guitar and it has a narrower,
reinforced neck and stronger structural
design, to sustain the extra tension of
steel strings which produce a brighter tone,
and according to some players, a louder
sound. The acoustic guitar is a staple in
folk, Old-time music and blues. Archtop
guitars are steel string instruments which
feature a violin-inspired f-hole design
in which the top (and often the back) of
the instrument are carved in a curved rather
than a flat shape. Lloyd Loar of the Gibson
Guitar Corporation invented this variation
of guitar after designing a style of mandolin
of the same type. The typical Archtop is
a hollow body guitar whose form is much
like that of a mandolin or violin family
instrument and may be acoustic or electric.
Some solid body electric guitars are also
considered archtop guitars although usually
'Archtop guitar' refers to the hollow body
form. Archtop guitars were immediately adopted
upon their release by both jazz and country
musicians and have remained particularly
popular in jazz music, usually using thicker
strings (higher gauged round wound and flat
wound) than acoustic guitars. Archtops are
often louder than a typical dreadnought
acoustic guitar. The electric hollow body
archtop guitar has a distinct sound among
electric guitars and is consequently appropriate
for many styles of rock and roll. Many electric
archtop guitars intended for use in rock
and roll even have a Tremolo Arm.
Resonator, resophonic or Dobro
guitars: Similar to the flat top
guitar in appearance, but with sound produced
by a metal resonator mounted in the middle
of the top rather than an open sound hole,
so that the physical principle of the guitar
is actually more similar to the banjo. The
purpose of the resonator is to amplify the
sound of the guitar; this purpose has been
largely superseded by electrical amplification,
but the resonator is still played by those
desiring its distinctive sound.
Resonator guitars may have either one resonator
cone or three resonator cones. Three cone
resonators have two cones on the left above
one another and one cone immediately to
the right. The method of transmitting sound
resonance to the cone is either a BISCUIT
bridge, made of a small piece of hardwood,
or a SPIDER bridge, made of metal and larger
in size. Three cone resonators always use
a specialised metal spider bridge.
The type of resonator guitar with a neck
with a square cross-section -- called "square
neck" -- is usually played face up,
on the lap of the seated player, and often
with a metal or glass slide. The round neck
resonator guitars are normally played in
the same fashion as other guitars, although
slides are also often used, especially in
blues.
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